Showing posts with label art from life. Show all posts
Showing posts with label art from life. Show all posts

Wednesday, December 15, 2021

Lemons in a Bowl - WIP





Lemons in a Bowl, oil on panel, 8 x 10 inches, Jim Serrett

Finished. About time too, the lemons hung in there as long as they could. This piece took far longer to complete than expected, but you must do what is right for the picture to best communicate your intention. Art takes patience. Trusting the process helps me to be patient.







Progress shots, drawing, first pass, color mixing, final pass.







Explore - Question - Learn - Enjoy, Jim 






Wednesday, October 13, 2021

Button Jar






"Everything has beauty, but not everyone sees it." -unknown

I have wanted to paint this jar of buttons for a while now but was always afraid of how it would read to the viewer. How to visualize so much confusion in such a small space. It was more conceptual painting than the optical paint of what I see. For a realist artist this is the balancing act.

Button Jar, Oil on panel, 10 x 8 inches, Jim Serrett










Explore - Question - Learn - Enjoy, Jim 




 Website - jimserrett.com 
 Studio Blog - jimserrettstudio.com 
 Landscape Blog - Pochade Box Paintings






Friday, October 8, 2021

Bosc Pears with Copper Vase - WIP






Bosc Pears with Copper Vase, Oil on panel, 9 x 12 inches, Jim Serrett


 The Bosc pears barely made it to the end of this painting, the gnats in the studio were a message to finish up this piece. Pears tend to be a theme I repeat, as do many artists. Not exactly sure what attracts us to them, maybe the organic shapes and variety of colors. The little vase came from Italy.

 Progress shots, drawing, first pass, second and final glazing pass.

 







Explore - Question - Learn - Enjoy, Jim 






Wednesday, June 9, 2021

Silver Bowl with Apples - WIP







The cloth was an interesting subject to paint. The lace work was challenging to translate. I tried not to overstate it and compete with the apples. I kept thinking about the ying-yang of negative-positive spaces, the play of light and shadow through the open fabric and simple truths. If art is hard work, it is because you are struggling to go beyond what you know and looking for that poetry in your art.







Progress shots, drawing, first pass, color mixing, final pass.
Silver Bowl with Apples, Oil on panel, 8 x 10 inches, Jim Serrett




Explore - Question - Learn - Enjoy, Jim 



Landscape Blog - Pochade Box Paintings




Monday, January 18, 2021

Silver Bowl with Pears - WIP






The silver bowl had several value variations with subtle temperature changes. I used warm and cool color strings of grays working back and forth between the two to model the form and state the reflections. The “palette”, where little piles of colors are mixed and pushed around is mesmerizing to us paint nerds. Those little puddles are storytellers, they are a living chronicle of the painting’s creation.







Progress shots, wipe-out, first pass, color mixing, final pass. 
Silver Bowl with Pears, Oil on panel, 10 x 8 inches, Jim Serrett









Explore - Question - Learn - Enjoy, Jim 





 Website - jimserrett.com 
 Studio Blog - jimserrettstudio.com 
 Landscape Blog - Pochade Box Paintings




Wednesday, May 20, 2020

Craftsman





I had not done a full underpainting in a while; I forget how magical this process can be. Glazing color over the grisaille creates an illusion of depth that is hard to achieve in any other technique. Progress shots, drawing, umber wipe -out, grisaille, color pass.

Grisaille – (griz-eye’) fr.- grey an underpainting done entirely in monochrome shades of gray.






Craftsman, oil on linen panel, 11 x 14 in, Jim Serrett



Explore - Question - Learn - Enjoy, Jim 


 Website - jimserrett.com 
 Studio Blog - jimserrettstudio.com 
 Landscape Blog - Pochade Box Paintings







Thursday, January 23, 2020

"Is not what you look at that matters, it's what you see."








I seem to paint a lot of bottles. A friend recently asked me why? I see a still life as a visual meditation, and glass can be a mental challenge in that you must decide what is effective and what is not in explaining the image.  It is walking an edge of what is optical information (that what we see) and conceptual information (that what we know) to express form and imagery. 

The simpler explanation is that old glass bottles are cool.




Marbles with Bottles, oil on panel, 10 x 8 inches, Jim Serrett









"Is not what you look at that matters, it's what you see." -- Henry David Thoreau





















Explore - Question - Learn - Enjoy, Jim 







Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings








Friday, January 17, 2020

Marbles with Bottles - WIP







Current work in progress. Progress shots, drawing, first pass, color mixing, final pass.








Marbles and Glass, contour drawing







First Pass.










Palette, color mixtures.

"Is not what you look at that matters, it's what you see." -- Henry David Thoreau










Final pass.


Marbles with Bottles, wip, oil on panel, 10 x 8 inches, Jim Serrett














Explore - Question - Learn - Enjoy, Jim 



Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings