Showing posts with label John Ruskin. Show all posts
Showing posts with label John Ruskin. Show all posts

Wednesday, November 30, 2016

Vanitas II - Etiquette - Finished








"Life imitates art far more than art imitates life."  - Oscar Wilde.


Intuition.


I get an idea and tend to just run with it, focus on the process and let the concepts evolve as I go. When working in a series, one piece will feed into another and things will lead in interesting directions, if you let them. This awareness of the painting experience is directing your decision making and aesthetic choices. The process is always asking questions as you answer them, what hue, value, chroma, shape, edges, scale and on and on, and hopefully with experience you are doing all of this intuitively. I find a lot meaning, energy and satisfaction within this chain of events.

Media – Popular Culture and Dumbing Down


It seems that where ever you go today there is someone staring at some little device lost in a vortex of texting or in some loud authoritative one-sided conversation. I wonder how much of their life is spent with their head down and eyes glued to a screen. People have become so dependent on these devices, if not addicted, starring and constantly checking their smartphone. Having a conversation with someone while they are texting is not multitasking, it’s just bad manners. When my earliest cell phone rang it was usually a client or art director in a panic about some deadline, commission or change needed. Silence was a good thing…

I am very supportive of the technology, but I wonder what it says about society and its direction. With all this conversing we actually seem to be becoming more anti-social, less tolerant and self-absorbed…the synonym for Narcissism is Vanity. (We just had the most narcissistic/egotistical public display in history the 2016 Presidential election.)

We always study the culture of past civilizations by the artifacts they leave behind, we analyze their art, literature and music in hopes of getting a glimpse into the conscious of that society. I wonder what a future archaeologist will think of a society in which a dead shark formaldehyde preserved or a real-life bed strewn with empty liquor bottles, soiled underwear, and stained sheets is considered high culture? Does it take the absurd and obnoxious to get us to look up from our cell phones? With great interest and at times contempt I’ve watched the “official” art establishments join the conceptual art carnival where ruder and cruder is worth more. I mean what does an 18-karat golden toilet installed in a Guggenheim Museum bathroom, by Maurizio Cattelan’s titled “America”— yes an actual functioning gold toilet – says? Conceit, arrogance and snobbery, more synonyms for Vanity.









Ugly – is easy.


I try to be open minded and tolerant, but I don’t get the joke, postmodernist art seems to me to be elitist and exclusive, a system in which mediocrity is rewarded and validated by a self-contained circle of critics and promoters. And it’s no secret that the real value is its importance in monetary exchange and more its utility as an unregulated commodity.

When we approach art from the oppose end, that of beauty. We are judging it by a different set of metrics. We look at art through our human experience, a personal, truthful and honest view of the world. Great art transcends time and subject matter, not because of the artist’s technical prowess, but because it embraces universal ideas. It has an intrinsic power, some sensation of perfection that bypasses the intellect, in the same way that we receive sensual pleasure from the scent of a rose. John Ruskin referred to this as Simple Beauty, but also spoke about Ideal Beauty which he calls Relation. The artistic idea of relation goes a step beyond Truth, Beauty, Power and Imitation, into a realm that requires intellect. This is art that produces expression, sentiment and character. I see that as the gateway to understanding/creating artistic beauty- it is to see with the mind (intellect) and heart (emotion) These are the core universal ideas.

I enjoy writing/blogging about art but it truly is more for me than you. Writing is my way to work out some of my thoughts and concepts, engage in a bit of exchange and learn something new.  I hope you take my opinions with a grain of salt, for they may change. I believe it is very important for artists to give insights into their ideas, share those opinions, explore and conduct critical thinking about the world around us.

Who better to speak about art then those who make it.  That seems to me to be the proper etiquette.







Vanitas II - Etiquette, oil on panel, 11 x 14 inches, Jim Serrett


In the Vanitas genre people look at the skull imagery as macabre and morbid symbolism peppered with some moral instruction. That is one of the obvious interpretation, but I see it more as a cautioning reminder that life is precious, so they better not waste it on frivolous and meaningless things. Often included in the Vanitas or memento mori images is the phrase Memento vivere - Remember to live.

Live in the present moment. And recognize how we spend our time is important, what are we really cultivating? Is it improving our lives? Does binge watching hours of junk TV (which I am painfully guilty of) enrich your intellect or cultivate a skill? We need to have a balance, things we do that are frivolous or fun and those which are worthwhile.




Links:


Explore - Question - Learn - Enjoy, Jim 



Website - jimserrett.com
Studio Blog - jimserrettstudio.com
Landscape Blog - Pochade Box Paintings




Friday, October 31, 2014

eBooks Online Resources




The web is full of great art resources with access to so many remarkable free eBooks through organizations like Gutenberg.org, Archive.org, Open library.org and Google books. These have open the door to a wealth of information on art and a knowledge base just sitting there waiting to be explored. I have a real infinity for the older texts, they are an interesting insight into the process and procedures of our artistic forefathers and our heritage as artists.

I have listed just a few of what I consider major reads for an artist. Many are just all time classics like the Andrew Loomis books, Harold Speed and Alfred East. The others I found particular interesting as far as being relevant to the practice of classical and representational painting.  But all styles and genres are equally represented if you spend the time looking through the expanding and expansive list of titles available.

All of the resources listed offer eBook, PDF, web and mobile browser reading experiences.


Google Books - https://www.google.com/googlebooks/about/
Google Books is a searchable digital database that allows you to build a personal library, offering free books or purchased books that are accessed through your Google account.

Project Gutenberg is a volunteer effort to digitize and archive cultural works, to "encourage the creation and distribution of eBooks". PG has over 100,000 free eBooks available through their partners, affiliates and resources. This site is free, offers many languages and operates on donations.

Archive.org - https://archive.org/
Archive's motto is “Universal Access to Knowledge.” A digital library of Internet sites and other cultural artifacts in digital form. It provides free public access to collections of digitized materials, including websites, music, moving images, and nearly three million public-domain books.

Open Library.org - https://openlibrary.org/
Open Library is another project of the Internet Archive. The site seeks to include a web database for every book ever published: it holds 23 million catalog records of books. It also seeks to be a web-accessible public library: it contains the full texts of about 1,600,000 public domain books in partnership with over 1,000 library partners from 6 countries. Registration is free.

Issuu -  http://issuu.com
Issuu (pronounced 'issue') is a free digital publishing platform for magazines, catalogs, newspapers and more. As a digital newsstand with over 18 million publications and 80 million active readers. I wanted to include this resource because it is really a unique website, started in 2006 it is a self-publishing website.
The basic service is free. Issuu allows you to publish books, newsletters, and magazines to a professional looking online magazine format and distribute your writing to a worldwide audience. There is a lot of mediocre stuff to wade through, but the gems are worth it. 


And here are my favorite and most highly recommended.





The Painter in Oil by Daniel Burleigh Parkhurst

A complete treatise on the principles and technique necessary to the painting of pictures in oil colors.
One of the most respected books available on painting, for good reason. One of the most informative books I have read, this book will enlighten you.

Title: The Painter in Oil
Author: Daniel Burleigh Parkhurst
Publisher: Lothrop, Lee & Shepard Co. Boston 1898





The Practice and Science of Drawing by Harold Speed

I have mentioned this book before on this blog and truly consider it and his second book “Oil Painting Techniques and Materials” to be the most useful and treasured books I own. His second book unfortunately is not available online, but both are very inexpensive in paperback and I highly recommend them. Because of their intelligent combination of useful advice and sensitive reflection on the nature and meaning of artistic practice, Harold Speed's instructional manuals on drawing and painting have long been considered valuable resources for artists.

Title: The Practice and Science of Drawing
Author: Harold Speed
Publisher: Dover Publications, Inc New York
Originally published by Seeley Service Ltd. 1927






The Practice of Oil Painting and of Drawing as Associated with it
By Solomon Joseph Solomon

This instructive volume introduces not only the techniques of oil painting but also the underlying principles of figure drawing. Written by a distinguished Pre-Raphaelite painter, portraitist, and book illustrator. A recent re-issued by Dover books and with a foreword by James Gurney proves this book to be ageless classic to those that want to understand fundamental and traditional painting procedures.

Title: The Practice of Oil Painting and of Drawing as Associated with it
Author: Solomon Joseph Solomon
Publishers: Philadelphia: J. B. Lippincott Co.
London: Seely & Co. Ltd. 1910





The Elements of Drawing, in Three Letters to Beginners by John Ruskin

John Ruskin, English author, art critic, draughtsman, watercolorist, a prominent social thinker and philanthropist. The book walks you through a series of exercises beginning with a dip pen and ink and later moving to pencil and watercolor. I particularly like emphasis on Sketching from Nature (life) and the study of nature. The illustrations are pretty sparse but the online teaching collection more than offsets the study of his writings.


Title: The Elements of Drawing, in Three Letters to Beginners by John Ruskin
Author: Ruskin, John, 1819-1900
Subject: Drawing
Publisher: London Waverley Book Co 1920 edition
The First Edition was published in 1857





The Elements of Drawing
John Ruskin's Teaching Collection At Oxford

John Ruskin assembled 1470 diverse works of art for use in the Drawing School he founded at Oxford in 1871.  They included drawings by himself and other artists, prints and photographs.  These were arranged in series and placed in special cabinets. All of which is view-able online through an interactive. The Elements of Drawing website provides a visual interface to Ruskin's Teaching Collection, uniting his catalogue, comments and instructions to his students with modern curatorial information about each object.








The Art of Landscape Painting in Oil Colour by Alfred East

Sir Alfred Edward East - His romantic landscapes show the influence of the Barbizon school. His book The Art of Landscape Painting in Oil Colour was published in 1906. And is another re-released classic that is available in the public domain, basically this is a solid book on the techniques of painting landscapes. But the writing has a interesting tone to it as written by a man inspired by nature. As I read this book I could not help but think how much of what he wrote in 1905 is echoed by writers today.


Title: The Art of Landscape Painting in Oil Colour
Author: Sir Alfred Edward East
Publisher: Philadelphia, J. B. Lippincott Co. 1910





Fun with a Pencil Andrew Loomis By Andrew Loomis


Andrew Loomis wrote several great instructional books but I choose to put “Fun with a Pencil” up first because, well it’s just fun. All of Loomis’s books are like that - great information, clear and visual demonstrations and fun. Best way to learn anything. This is still probably my favorite book on drawing, I loved it as a kid and back in the day,… when I was in school studying illustration, Andrew Loomis books were essential in the education of every commercial artist and fine artist. Loomis wrote six major instructional books and many step by steps books on painting and drawing with Walter Foster art books. Even with the lightness to the writing in his books they are filled with practical and serious information for the artist. His “Book Eye of the Painter” I feel is his most important work.




William Andrew Loomis (1892–1959), better known simply as Andrew Loomis, was an American illustrator, author, and art instructor. His commercial work was featured prominently in advertising and magazines; however, Loomis is best known as author a series of instructional art books printed throughout the 20th century. Long after his death, Loomis' realistic style has continued to influence popular artists.


Title: Fun with a Pencil
Author: William Andrew Loomis
Publisher: The Viking Press 1939


Loomis books are in a variety of places online, but all six of his titles can be found at




Issuu is a different type of resource, certainly a more tech savvy and sophisticated format. It has virtual touch, where you turn pages and has high res imagery, making it a good format for visual artist. There is such a variety of publications, you will find yourself wading into a major time sink.
But certainly some great books and publications of interest to the artist are here. Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice by Juliette Aristides, a great book found here.


And definitely do not forget the resources available through Blogger, visit the site of fellow art –bloggers in my side bar and add them to your reading list.  The collaborating and sharing resources online are constantly expanding, what the future brings will be interesting. Please join and support Creative Commons and help keep free access and share your knowledge and creativity with the world.







Explore - Question - Learn - Enjoy, Jim