Showing posts with label Eugene Delacroix. Show all posts
Showing posts with label Eugene Delacroix. Show all posts

Saturday, May 9, 2020

Art in the Age of Quarantine - Spring of COVID 19


Hello friends, as I write my Spring newsletter, I cannot help but think to myself is this essential? It just seems like there are much more pressing events happening in the world today. That talking about art; well, may not be that important in this Spring of Covid 19. This crisis is unprecedented, I cannot think of anything that compares to it in my lifetime.

How dramatic the changes to daily life are for most people, just think of the battery of new (detaching) phrases that have been added to our vocabulary, social-distancing, quarantine, flatten the curve, essential and non-essential workers. The media is flooded with advice, news and commentary. My wife and son both are working, one as an essential worker and the other remotely, it has certainly tested their limits and their strengths. How can I not help but feel some uncertainty, anxiety and concern? I try to not let it dominate my mind. No wonder finding personal balance during the shutdown is a challenge for each of us.






Honestly, as far as work, I have not been directly impacted much by the pandemic. But I completely recognize how unfair this coronavirus has been to so many. Those daily death tolls are stark reminder that there is a real difference between tragedy and inconvenience.

For me, Art has always been that place to escape to. I have been self-employed most of my life as an artist and spent thousands of solitary hours in the studio. Even back when I was doing advertising art, we had a saying, “no news was good news” meaning when a project was delivered if you did not get a call on it from the client you just assumed that they were happy and you moved on to your next project.  I would go days buried in my work without speaking much. As it turns out I’ve all been self-quarantining for years!

And these days as a fine artist working on the art I want to create, I probably am even more isolated, but that is quite ok with me. We all need interaction with others, but the truth is that art is not a group activity.  Nor a spectator sport or is it created by committee as some current trends want to imply.  Meaningful art is created through the internal reactions of an artist to the world.

The catch is that what gives art meaning…is its capacity to connect with other people.  

I see painting as a very contemplative experience, but it is also the investigation of the world around me. The thoughts, feelings, and experiences of this time of isolation.

So that big word “Art” cannot exist in a vacuum.  Art illustrates the human experience—the wonder of it, the bewilderment of it, the whimsy of it, and yes even the tragedy of it. We would not be who WE are (or connected so deeply) without the essential existence of art.





It's nice to be able to share some positive news with you. My painting Japanese Teapot was accepted into the National Oil and Acrylic Painters Society (NOAPS) 2020 Best of America Small Painting National Juried Exhibition.

-Best of America Small Works exhibition hosted by the McBride Gallery, 215 Main Street in Annapolis, MD 21401. For those that like to know the numbers, 150 paintings were selected from 1096 entries.”

The show has been extended until June 7, 2020




At last count, 15 paintings have sold from the 2020 Best of America Small Works Exhibition. With so many galleries, exhibitions and events being forced to close or cancel due to COVID-19. I want to thank Cynthia at the McBride Gallery who has been working diligently at promoting the exhibition online and extending the physical exhibition, so thankful for her efforts. 

To view the paintings in this exhibition please visit the gallery's website,
or for more information on NOAPS, and a video tour of the show check out.
Show extended through June 7, 2020 at the McBride Gallery, Annapolis, MD

As always, I have several new paintings going in the studio. For frequent updates and works in progress please check out my Instagram or Website. 

Stay safe, stay well, remain vigilant and be kind to each other. 
Jim Serrett



Explore - Question - Learn - Enjoy, Jim 


 Website - jimserrett.com 
 Landscape Blog - Pochade Box Paintings





Monday, April 22, 2019

The Red Cloth – WIP







Sometimes it just seems like nothing works. And you ask yourself, 
“Why am I still painting on this mess?” 
And you say to yourself push through, don’t give up. And you do and then you say, 
“Why and I still painting on this mess?”







The Red Cloth, oil on panel, 11 x 14 inches, Jim Serrett


I did battle with the inner critic over several elements in this painting. Once I realized I was struggling because I had lost focus on the idea of the painting. Everything fell into place. I just had to get out of the way and enjoy the process.











Explore - Question - Learn - Enjoy, Jim 




Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings



Wednesday, January 15, 2014

Feather and Egg




I have posted already a couple of times about this painting, one dealing with my compositional thoughts and later talking about the creative process. I guess what I have to add to this conversation is painting, that is to say - art is never stagnate. 


Feather and Egg – On the easel, this piece was a real problem to photograph just 
so much glare from the texture on the panel and glazes. I will re-shoot it later but 
the two photos will give you a feel for what it looks like in the real.


You may paint the same subject matter a thousand times or struggle with a painting for a thousand hours, every piece changes you, your perspective, and understanding of your craft. Sometimes those changes come fast and sometimes slowly, the real epiphanies or eureka moments seem to happen in those long – slow –deliberate studies. I see and appreciate this in the works of the Old Masters, that long deep study of visual language. And that to acquire such skills and to paint such works of art is a long slow process.





I describe my work as realism, because I am interested in depicting the subjects I choose to paint as I see them in nature. I am fascinated by the way things look, painting is for me about seeing. It forces me to study and understand a thing or an idea, to spend so much time with something that I can really begin to see it and explain the subject with as much clarity as I can. Observing those things that might otherwise might be overlooked. I hope to seduce the viewer into the painting and if they meditate on it for a while, they may discover deeper, more specific layers of meaning.

Feather and Egg - Oil on panel - 9 x 12 in.  -  © Jim Serrett


Explore - Question - Learn - Enjoy, Jim




Eureka Effect
http://en.wikipedia.org/wiki/Eureka_effect