Friday, October 7, 2016

Vanitas II – Etiquette - Drawing and Underpainting





Preliminary pencil drawing for my next Vanitas oil painting, originally it was intended to be a simple contour drawing to transfer to canvas, but I was just having too much fun with a pencil.
The majority of my still life works begin with a simple but descriptive contour drawing, which works out the composition and suggests the shadow side or turning point on the form. This is typically more than enough information to move on to the next stage of paint. Especially for any monochrome underpainting.


I pushed this one quite a bit further. In a preliminary drawing you can do a great deal of problem solving. By simply dissecting the imagery, exploring the shapes, form and value relationships. You really familiarize yourself with the subjects and those nuances that first attracted you to it. This process seems the most natural for me and the most challenging. I feel that I am looking through a lens and slowly turning it, focusing in on the subject through my mind’s eye, interrupting it as I go. Becoming more aware and knowledgeable about this thing before me as I progress through the process of creating the image.  As I describe the effects of the light, it becomes more and more dimensional and real to me. And enjoyed fleshing out the value relationships in this drawing.






I transferred the drawing to board. With the subject in front of me and the value study as reference, I painted a quick wipe out umber underpainting, to truly reinforce the value relationships before my first color pass.

If we attempt to translate the natural world into paint with some type of optical fidelity (faithfulness to how that object looks in real life), what you paint is light. I know this is the vague common answer you hear when you ask an artist - what do you paint? But it is the simple truth, the truth of physical properties when describing form, what is illuminated and what is in shadow? No matter what the subject is; skulls, flowers, apples and oranges, I paint the effects of light first and the narrative second.

Our perception of everything in this world is described by light or the lack of.
It is the universal narrator, the chronicler, storyteller and poet.



"The purpose of art is to stop time." — Bob Dylan







Explore - Question - Learn - Enjoy, Jim 




Link: Fun with a Pencil By Andrew Loomis


Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings