When I choose a subject I look for two things, first it must present a set of visual challenges and second I must have some connection to it. It must “say” something to me, that can be either a pure aesthetic experience or a emotional link. This is where the concept of any painting starts, no matter how elaborate the idea or simple the subject matter may be, without these two essentials you can not communicate anything beyond the literal.
However, as I work I pay little attention to the subject matter, I concentrate on the abstract pictorial qualities that make up an image, this is what intrigues and excites me when I paint; that painters zone, to transcend the subject through a honest emotional response to those abstract qualities of shapes, colors, values, light, space, and attempt to translate that into some poetic image.
Thinking of it in this way - you realize the subject chooses the artist.
We have had a gutful of fast art and food.
What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational that doesn’t get its message across in 10 seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures.
Art Critic and Historian - 1938 - 2012
From a speech given at the
June 2004 London
Link to article and video about Robert Hughes
Conch Shell, oil on panel, 5"x 7"
Retrieved from the beach of Cancun, Mexico.
Available in Gallery
Explore - Question - Learn - Enjoy, Jim